Biography

Four-time Joseph Jefferson Award nominee, stage and movement director Elizabeth Margolius’ selected directorial credits include Crimes of the Heart for American Stage, Le Loup-garou for Opera Southwest, I and You, Silent Sky, Miss Holmes, and The Bridges of Madison County for Peninsula Players, Rose for Renaissance Theaterworks, Die Kathrin for Folks Operetta/University of Chicago, Queen of the Mist for Firebrand Theatre, The Scarlet Ibis for Chicago Opera Theater, Machinal for Greenhouse Theater (as Movement Director), Uncle Philip’s Coat for Greenhouse Theater, Haymarket: The Anarchist’s Songbook for Underscore Theatre, Twelfth Night for DePaul Opera Theatre, The Girl in the Train for Chicago Folks Operetta, Goldstar, Ohio for American Theater Company, The Merry Wives of Windsor for Chicago Shakespeare Theater (as Assistant Director), Death Takes a Holiday for Circle Theatre, Opus 1861 for City Lit Theater, Violet for Bailiwick Chicago, and Bernarda Alba and Songs for a New World for Bohemian Theatre Ensemble.

Elizabeth has been a guest director, master artist, and adjunct professor at numerous colleges and universities including Longy School of Music (MA), DePaul University, Viterbo University (WI), University of Northern Iowa, Converse School of Music (SC), SUNY Albany, and Skidmore College (NY).

Elizabeth is an alumna of the Lincoln Center Theater Directors Lab, a recipient of a full directorial scholarship for the Wesley Balk Opera-Music Theater Institute, and a finalist for the Charles Abbott Fellowship. Elizabeth has a degree in classical flute and has trained in movement techniques from around the world including Qigong, the Frantic Method, and Axis Syllabus. She is the Co-Founder and Artistic Director Emerita of DirectorsLabChicago, and a proud member of the American Guild of Musical Artists (AGMA) and the Stage Directors and Choreographers Society (SDC).