“Director Elizabeth Margolius, who is active across Chicago’s theatrical scene, could hardly have been more in tune with this story in her brilliant, subtle staging.”
Kyle MacMillan, Classical Voice North America
The Scarlet Ibis, Chicago Opera Theater
“Director Elizabeth Margolius uses an exquisite eye to move this talented cast as an ensemble on the bare bones inside-a-barrel set, which you too will likely consider brilliant in its simplicity by show’s end.”
Amy Munice, Picture this Post
Queen of the Mist, Firebrand Theatre
“It has a fascinating sculptural feel to it, and Margolius has ingeniously ‘choreographed’ her actors to make full use of it.”
Hedy Weiss, Chicago Sun-Times
Haymarket: The Anarchist’s Songbook, Underscore Theatre
“Stage director Elizabeth Margolius provided a seminar in how to stage a difficult opera in concert.”
Lawrence A. Johnson, Chicago Classical Review
Die Kathrin, Korngold Festival
“Margolius’s work is the pulsing, persistent backbeat that drives the production forward. She renders the script’s expressionist flourishes down into substance and strikingly evokes the panic and horror of the protagonist’s inner life.”
Alex Huntsberger, TimeOut Chicago
Machinal, Greenhouse Theatre
“That brightly lighted display of public affection is among director Elizabeth Margolius’s many ingeniously staged moments in Fish Creek’s Peninsula Players Theatre production…”
Mike Fischer, Milwaukee Journal Sentinel
The Bridges of Madison County, Peninsula Players
“Elizabeth Margolius has the Midas touch times ten!”
Lawrence Bommer, Chicago Theater Beat
Violet, Bailiwick Chicago
“HOTTEST TICKET…Elizabeth Margolius’ appealing new staging of Jason Robert Brown’s song suite gets the most important things just right.”
Chris Jones, Chicago Tribune
Songs for a New World, Bohemian Theatre Ensemble